symetry
symmetry
of form
attainable in pure fiction can not so
readily be achieved in a narration
essentially have having less to do with fable than with
fact. Truth uncompromisingly told
will always have its ragged edges;
hence the conclusion of such a
narration is apt to be less finished
that an architectural finial.
How it fared with the
Handsome Sailor during the year
of the Great Mutiny has been
faithfully given . to But tho' properly
the story ends with his life,
something in way of sequel The
attainable in pure fiction can not so
readily be achieved in a narration
essentially have having less to do with fable than with
fact. Truth uncompromisingly told
will always have its ragged edges;
hence the conclusion of such a
narration is apt to be less finished
that an architectural finial.
How it fared with the
Handsome Sailor during the year
of the Great Mutiny has been
faithfully given . to But tho' properly
the story ends with his life,
something in way of sequel The
symetry
symmetry
of form
attainable in pure fiction can not so
readily be achieved in a narration
essentially have having less to do with fable than with
fact. Truth uncompromisingly told
will always have its ragged edges;
hence the conclusion of such a
narration is apt to be less finished
that an architectural finial.
How it fared with the
Handsome Sailor during the year
of the Great Mutiny has been
faithfully given . to But tho' properly
the story ends with his life,
something in way of sequel The
attainable in pure fiction can not so
readily be achieved in a narration
essentially have having less to do with fable than with
fact. Truth uncompromisingly told
will always have its ragged edges;
hence the conclusion of such a
narration is apt to be less finished
that an architectural finial.
How it fared with the
Handsome Sailor during the year
of the Great Mutiny has been
faithfully given . to But tho' properly
the story ends with his life,
something in way of sequel The
Transcribed by: John Bryant